Great stuff, Mike. Third page down is fantastic. Second panel has great movement, from the tilt of the Conan figure to the dynamic horse pose. And the final panel with Conan kicking the guy from the horse has tremendous impact. The storytelling on the whole five page sequence is very clear and almost doesn't need dialogue, though don't tell Roy I said so.
Thanks a million, guys! I really really appreciate the love. I'm trying to do right by Conan, even if some fans are not seeing it. I'm putting everything I got into it, while still keeping it on time.
Great stuff, Mike. Third page down is fantastic. Second panel has great movement, from the tilt of the Conan figure to the dynamic horse pose. And the final panel with Conan kicking the guy from the horse has tremendous impact. The storytelling on the whole five page sequence is very clear and almost doesn't need dialogue, though don't tell Roy I said so.
ReplyDeleteSolid stuff like always. I gotta say that panel with the guy getting kicked off the horse is great. Love the way you capture movement in your drawings
ReplyDeleteDynamic...the man upstairs'd be proud.
ReplyDeleteThanks a million, guys! I really really appreciate the love. I'm trying to do right by Conan, even if some fans are not seeing it. I'm putting everything I got into it, while still keeping it on time.
ReplyDeleteBest,
Mike
Shit...I love your work. You rock!
ReplyDeleteThanks, pal ;-)
ReplyDeleteAs always, this is some great stuff man. Thanks for sharing the pencils and the process pages. Great to see the stuff in the raw form.
ReplyDeleteQuestion, do you approach this any differently since you aren't inking this?
Thanks, man.
ReplyDeleteAs to your question. Really, all i do is draw it a little tighter. That's about it.
mike